Elizabeth Thomson observes the natural world with a sculptor's eye. Early on, delicate facsimiles of leaves and moths had us paying more attention to humble things. After visiting the Kermadecs, Thomson fell in love with the vastness of the sea – almost incandescently blue. Then the sandstone flats of Mahia offered details of line and form that were a revelation. Her trick though, and this is the sculptor's ability, has been to forge material combinations including photographs on vinyl, subtly undulating grounds, glass beads and white flocking that warm our eyes to her concerns. Joyful and sumptuous describe Thomson's sense of scale, texture and depth.